A work of art made by grouping found or unrelated objects; an artwork created by gathering and manipulating found objects and other three dimensional items. The technique of assemblage was especially popular in the first half of the twentieth century. Students are expected to attend each class meeting and to be punctual. This is especially important given that we only meet once per week.
These texts will require different reading strategies and techniques, which we will discuss and practice during class. These are either primary texts or brief articles providing relevant information on significant exhibitions, artists, movements, and contexts. I am happy to suggest additional readings on any of the subjects covered during the course; just ask. The course will end by examining some of the many ways in which modernism has survived its supposed demise, whether on the art market, across the biennial circuit, or even in the experimental forms that would seem to have left it behind. To crown it all, I must admit that in order to get the contemporary art the way we see it today, it had to undergo enormous changes since the beginning of the twentieth century.
Please take a look and read carefully the information on Identity Politics. All should take a look for the Analysis Paper but if you write about Barbara Kruger, this lecture is important for you. I might have justifiably started this timeline of political art with the year 1932, when Stalin’s forced famine in the Ukraine killed 7 million people. Or 1933, when the first Nazi concentration camps at Orienburg, Dachau and Buchenwald opened. Sadly, as savage as their affronts to civilization are, none of these horrific events set precedents in history, nor generate an art of sustained protest and examination of conscience, comparable to the year 1945.
In Europe, the artists most noted for jacquard work isometric exercises in textile art include Grethe Sørensen and Lise Frølund from Denmark as well as Philippa Brock from the UK. Notable names in the field of design include Hella Jongerius from the Netherlands. In East Germany, textile artists who had received an excellent art education were in a much better position – more recognition, more commissions and more textile artists making a living from their work. Moreover, art historians supported them in reappraising the perception of applied art.
Writing with exceptional clarity and a strong sense of narrative, Edward Lucie- Smith demystifies the work of dozens of artists and reveals how the art world has interacted with social, political, and environmental concerns. This book includes detailed coverage of major developments within the artistic community, such as pop art, conceptual and performance work, neo-expressionism, and minimalist art across the globe, including Asia, Africa, and Latin America. A new chapter on art since 2000 includes discussions of work by Banksy and Ai Weiwei, as well as recent trends in art from Russia and Eastern Europe. From the time of the Renaissance, popular art and culture have always been reflective of the values, concerns, and goals of a society. However, instead of merely having the century’s artwork and sculptures to contemplate, numerous entertainment media proliferated during the century, from television to pop music, which shows us what was important to the artists and to society itself.
Currently still a student at New York’s Rochester Institute of Technology, he prefers to work with Photoshop rather than working with a paintbrush, although he has the technique down- as he has told other interviewers. As he has said before, “Photoshop is a lot more forgiving than traditional media. I can easily fix mistakes or experiment with an idea and completely erase those changes if I feel they don’t fit,” he said in an interview with LightBox. One of the prominent artists bound to the minimalist movement was Solomon “Sol” LeWitt (September 9, 1928 – April 8, 2007). He became very famous in 1960s due to his ‘structures’ and the wall drawings.
As Lucy Lippard outlines the attempt of women to shed their shackles, proudly untying the apron strings—and, in some cases, keeping the apron on, flaunting it, turning it into art (p.135). Movements in art since 1945 is an excellent introduction to the major movements and artists of the second half of the twentieth century. Not only does it cover the time period in detail but it provides reference pictures for many of the artists talked about.
This continues as the Modernist tendency for ‘movements’ gives way to an expanded field where it becomes more difficult to label artists into groups. Debord writes at the beginning of the television age that the «abundance of televised imbecilities is probably one of the reasons for the American working class’s inability to develop any political consciousness.» A style characterized by intense subjectivity and rough handling of materials.
The piece of art should be from the lecture or links I’ve given you. Use these sources to discuss the points provided on the rubric and find museum website or other legitimate sources. You are basically using the art to tell what you know about Identity in either lecture this week or last.